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小(👴)紫是(shì )一名空姐，一次(🍽)偶(ǒ(🏠)u )然之(🍧)下(xià )，小紫回家撞见自(💨)(zì(🏪) )己(jǐ(😃) )的男(nán )朋友出轨昔日的女(🥁)(nǚ(👫) )同(tó(🏖)ng )学，此时正巧家中出现(xiàn )两(🥟)(liǎng )位小(🏕)偷，几人争执中触(chù )动(dòng )电(🐗)源，造成(💙)时空穿梭。穿(chuān )越后的(de )几人(📿)成为“牛(🖖)郎织(zhī )女”传(chuán )说中的(✡)人物(🦔)，一场(chǎ(🗞)ng )奇(qí )幻之(zhī )旅就此开(👑)启。

人(🔵)據(jù(🥂) )說(🚜)(shuō )一生最多有十萬條(🎶)頭髮(🌩)(fà )，每(🔸)一(🍞)條頭髮質感長度有(yǒ(❗)u )異(yì(🐄) )，但都(📺)(dōu )承載著煩惱的回憶(🎊)(yì(🌈) )。「時(👭)(shí )光理髮」剪掉的不(bú )只(🏇)(zhī(🦑) )是頭(🗒)(tóu )髮，還有街坊不快(kuài )的(de )記(🌛)憶。行將(🧓)式微的舊式(shì )廣(guǎng )東理髮(💡)店店主(🗄)海泉叔指(zhǐ )望(wàng )兒子長發(📋)繼承衣(👰)缽，不過(guò )兒子卻(què )更(➰)想當(📺)文青，希(🎼)望(wàng )透過文(wén )字和音(🏓)樂改(🚋)變世(🚕)界(🍟)(jiè )。一次(cì )意外，長發被(🌶)迫代(💲)(dài )父(🐄)(fù(📔) )親落場當師傅，透過理(📯)(lǐ )髮(😔)(fà )為街坊排憂解難，更與離(🌜)(lí(🏙) )家出(🦄)走(zǒu )少女相遇相知，重(chóng )新(🔝)反(🙎)思(sī(🎏) )自己的前路。傳統(tǒng )理(lǐ )髮(🌤)店(diàn )交(⭐)織舊區鄰里人情(qíng )，《點五步(😱)》男角岑(🐘)珈其(qí )化(huà )身理髮店傳人(🐢)，演出清(👈)(qīng )新(xīn )自然。

影片讲述(🐈)了两(🍽)个小(xiǎ(💟)o )人物二(èr )宝和三宝，因(😭)偶然(🌠)(rán )参(🏓)演(♍)了(le )一部抗日神剧，从(có(🎱)ng )陕(shǎ(🚡)n )西农(🥈)(nó(🚯)ng )村一路追到广州寻(xú(🧞)n )找(zhǎ(☕)o )剧组而发生的令人捧腹(fù(🏬) )又(📆)(yòu )笑(🔠)中带泪的故事。

城市里(lǐ )出(👗)现了(le )一(❔)群怪鸟，他们开(kāi )始筑巢(chá(🈯)o )，而人们(🎍)被慢慢的(de )吸(xī )引到(dào )巢里(✨)居住。

三(🗒)个怀(huái )揣(chuāi )梦想的年轻人(🏿)想通过(📺)从(cóng )缅(miǎn )甸走私黄金(🐃)来发(🐵)家致富(🐢)(fù )。但等待他们的除了(🍰)金钱(🚛)与(yǔ(🐠) )爱(🕎)情还(hái )有危机重重的(🐟)陷阱(🚚)(jǐng )。

撤(🥐)离(lí )广州的影室，通过(guò(🤷) )日(rì(⛎) )军的(de )动向，发现了一支(zhī )神(➡)(shé(🤲)n )秘的(🙄)抗日力量已身陷重(chóng )围(wé(🕣)i )，民族家(🐅)国的责任感驱使(shǐ )他们去(😽)(qù )查明(🙍)真相伺机营救(jiù )。在民(mín )族(💛)大义的(🛸)面前，英(yīng )雄(xióng )从来(lá(🕖)i )都不(🔢)孤独，相(🚅)互间(jiān )舍(shě )命救援，默(⚫)契中(🎹)同仇敌(🦏)(dí )忾(kài )，抗日救国，舍我(🥘)其谁(😢)(shuí )？(👸)

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

Six therapy patients are brought together at a secluded cabin to confront their strangest fears. But these fears won't just hurt them...they will kill them.